The Simpsons made another certainly one of its late-period, apparently random changes in narrative on Sunday evening by simply making Waylon Smithers, whose glass-closet homosexuality is one of several show’s longest running gags, turn out.
Or, kind of: He sang a track about their thwarted love for their employer, nuclear-plant magnate Mr. Burns, which Homer overheard before contriving to create Smithers up by having a guy that is nice. One or more response to the episode has argued that Smithers’ not being released (into the feeling of saying aloud it more empty-calorie sentimental that he was gay) was a major misstep, but I’d argue that stopping the entire episode for Smithers to deliver a speech would have been just about the only thing that could have made.
The bout of The Simpsons desired to win citizenship points for expressing a beneficial and laudable point-of-view: If more folks thought that homosexual individuals deserve become treated as add up to the others of mankind, the entire world could be a pleasant spot! But there clearly was small stress in this saggy, baggy bout of tv, much less humor. Homer and Marge, starting their house to a homosexual mixer for Smithers’s advantage, had no viewpoint of anything that took place into the episode besides that it had been all wonderful. None associated with the visitors have any such thing to state; the show’s take on as effortless a target whilst the gay-dating software Grindr is always to acknowledge it exists.
Additionally the episode’s fundamental lack of imagination about methods to portray homosexual life onscreen may be summed up with one information: The guy Smithers ultimately ends up with is really a fiery, lispy Latin bartender cut through the exact exact same cloth as Simpsons star Hank Azaria’s character within the 1996 film The Birdcage. If you’re looking for an additional, George Takei had been a visitor celebrity, playing himself.
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The Simpsons, in its 27th period, wishes to alter utilizing the times—as, all things considered, it constantly has. Often it is simply to shake the narrative up, as whenever Marge’s sibling Patty arrived as a lesbian or whenever Ned Flanders was widowed. Then again, tropes that have been appropriate whenever it started in 1989 found feel very nearly too uncomfortable to be broadcast down the road. The Indian convenience-store proprietor Apu, for example, had been predicated on broad humor that is racial very very first. But later on, episodes into the 5th and 7th period aided situate him as both an individual with real some ideas and faculties away from his competition and, as an immigrant throughout the increasing tides of 1990s right-wing paranoia, someone susceptible to changing governmental tides.
This is basically the type of thing The Simpsons, during everything we can acknowledge as the most readily useful years, did especially well: Place established characters into discussion utilizing the mores for the time. Sideshow Bob operating for mayor because the prospect of the goofily exaggerated Limbaugh-era Republican Party ended up being an example; Homer fulfilling an innovative new friend that is gayplayed by John Waters!) and coming to terms along with his very own disdain for homosexual individuals had been another. That episode ended up being happy to court danger that is real offense in its depiction of Homer’s bald antigay aggression—and its concluding minute of acceptance felt actually gained.
Given, it absolutely was difficult to find out quite exactly just how this need to have now been handled. In the last few years, Smithers has felt in certain cases like a little bit of a rude homosexual laugh; their fringe-y obsession with Mr. Burns ended up being their only explanation to occur, while even Principal Skinner had a richly drawn (if, yes, cartoonish) inner life. But one wonders if it is not preferable, for a show that’s a comedy, to a smooth and airless acceptance with simply no comic point-of-view. After having been put up having a boyfriend by Homer and Marge, Smithers ultimately ends up obtaining the something he’s always wanted: Approval from Mr. Burns.
It’s sweet as a elegance note could possibly be on a show that’s stayed very long sufficient during the celebration that any barbs about homosexual individuals could be too high-risk to pay dividends, however it’s additionally, to quote the opening series this week, “meh.” On a show whoever father figure is just a buffoon out-of-step with courteous culture, simple enlightenment is not simply impractical: It’s bad for comedy.